The Constant Apprentice is a place for curious humans to explore craft, visual arts, writing, nature, food, and all things classic, then and now.
{ Curators: Roseann & Jonathan Hanson —> }|{ Craft }|{ Classics }|{ Travel }|{ Food }|{ Nature }|{ Science }|{ Writing }|{Visual Arts}

EDC Field Notebook

Sometimes the world aligns in wonderful ways. 

Just before Overland Expo 2016 WEST, I was looking to replace my longtime EDC notebook (Every Day Carry). Since 2006, I've used a Moleskine Cahier notebook encased in a leather cover that I had designed myself and was stitched by Jonathan.

But over the years it became too small, and also I had lost track of so many notebooks — I had no system for managing them. 

I found the Midori notebooks (now called Traveler's Notebooks) and was looking at the Bullet Journal system for tracking multiple EDC journals ( ) over time, using indexes and notes-journals as well as task-journals. 

I loved how the Midori notebooks and covers were so versatile: you can combine multiple journals with a clever elastic band system.

But I found the Midori sizing to be not quite right—they offer either passport-sized (too small) or much-larger sized journals (8.2 x 5.5) in leather covers. I waffled. 

To feed my journal lust while postponing the decision about the actual journal, I ordered a new fountain pen from, a lovely brown-iridescent swirled pen handmade by Brian Hall in Ohio (, along with some Midori accessories—pockets, a pen clip, and ink.

Then, in Asheville this week while planning the upcoming new EAST show with our wonderful core staff, assistant director Alison DeLapp presented the whole team with Field Notes ( journals encased in custom leather covers made by one of our favorite instructors, Andrew Pain of 

Based on the 5 1/2 x 3 1/2 size of the Field Notes (and Moleskine Cahier), it was perfect. And, it had a custom stamping on the cover: our tagline, "The World Is Waiting."

En route home from Asheville, I discovered it perfectly held two Field Notes insets plus my passport and my iPhone 6S in a Lifeproof case. 

Once home, I collected my new Midori accessories and pen, and put them together into what I think is going to be the perfect EDC field notebook:

Another addition I made was a center insert of watercolor paper (90-pound cold-press) I cut myself and added, about 10 pages total. With my Expeditionary Art watercolor set (  and a little mini-field-palette I made from a folded coroplast board with a water-well cut to size for an old Bausch-and-Lomb contact cleaning reservoir (which has a water-tight gasket), I have a perfect mini-field-sketching kit right in my EDC. The little bulldog clip that holds the watercolor set acts as the perfect brush holder for my No. 3 Escoda sable traveler's brush.

Field Notes Custom from Exploring Overland on Vimeo.

Ultralight plein air painting kit

Finally got a chance to field test my ultralight plein air painting kit — love it. I saw a similar setup for sale at an art website for $200 and weighs 10 pounds (and does not include a chair). Being a cheap (and small of frame) Celt, I decided I could do that for under $45 and a whole lot lighter! The tripod, a terribly inexpensive aluminum Sunpak 2001UT ($15!) is just 2.3 pounds and 19.7 inches long folded up. The little chair is just over a pound ($18). I glued strong magnets (a couple bucks) to the base plate of the tripod and a 30-cent 3" steel washer to a piece of Coroplast. Even in a modest breeze it holds tight. Two pieces of the Coroplast ($8) clipped together with bulldog clips hold a paper assortment. This fits in my shoulder bag with my paints, brushes, and other supplies. The tripod and chair strap on top.

Learning watercolor

In September I took the leap and decided to get serious about learning to sketch and paint with watercolor and ink washes—with a plan to become good enough to use my own art in future book and conservation projects.

I started with books by Cathy Johnson and Clare Walker Leslie, two of the best nature illustrators and teacher-authors. But I need to see things demonstrated, just reading about watercolor was not enough. So I discovered both and Both have excellent, affordable tutorials you can buy individually, or in the case of, subscribe monthly for unlimited access.

I discovered I love color theory, and particularly love painting in triads, especially Daniel Smith watercolors (made in Washington). Right now favoring old-fashioned tint-like colors and pen-and-ink. And I rediscovered how much I love my old Montblanc, a gift 30 years ago from Jonathan. The Montblanc is charged with Platinum Carbon waterproof ink, and a Vintage Parker 75 has a soft, soluble black. Also experimenting with brush pens, with J.Herbin Lie de Thé, a sepia color.

Daniel Smith's Primatek Genuine mineral paints are particularly gorgeous; this hummingbird's gorget is Rhodonite Genuine and Amethyst Genuine, which sparkles in the light.

Working trip to the UK

We made a mad-dash across the Atlantic in July-August to meet up with a few colleagues and friends, including the dashing and lovely Tom Sheppard of Desert Winds Publishing and author of the venerable Vehicle-dependent Expedition Guide (for which he recruited Jonathan as co-author in a massive new update released this spring.). Here we are at the Scott Polar Research Institute in Cambridge. More images here.

News updates

It's been a busy two years, so much so we've neglected to post updates here.

Overland Expo, our do-it-yourself-adventure travel event, added a second show in North Carolina this past October. It was a fantastic success. After the event in Asheville, we took some time to explore the Outer Banks and learn to flyfish in the beautiful Blue Ridge Mountains.

Meanwhile Jonathan finished up work as the new co-author of the seminal Vehicle-dependent Expedition Guide, the most respected manual for global exploration by self-suffient means. Tom Sheppard is a legend and a gentleman, and we have enjoyed working with him immensely. Our has become the Americas distributor for the book, which is now shipping.

And we spent an amazing, expected month this past February driving from Ushuaia, Argentina, to Arequipa, Perú. We'll release a story on the trip in the upcoming Overland Sourcebook: Your guide to adventure.

Update: We've released a new story about the trip on

New video prepared for cultural conservation

On November 7 - 8, 2013, the South Rift Association of Land Owners (SORALO) hosted the first annual Maasai Cultural Festival at the historic Olegorsaille site in southern Kenya. Hundreds of Maa-speaking people, dignitaries, and politicians from around Kenya attended, shared ideas for how to ensure their cultural future, and to commit to a common festival every year to celebrate, conserve, and share their unique culture. We provided donated photography and videography for the project through our charity, ConserVentures.

New portfolios

New portfolios showcasing our recent conservation and documentary photography.
To view / download the Egypt portfolio PDF, click here.
To view / download the shield portfolio PDF, click here.